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Past Exhibitions
Life Study: from pose to page
April 14 - April 25, 2026
in the Main Gallery
Opening Reception on April 18, 2026
About the Exhibition
Life Study: from pose to page exhibits selected works from the many talented artists who take part in TAP's figure study sessions. These sessions are offered every Monday night and Tuesday afternoon all year long, in addition to monthly costumed figure study, and welcome participants at all skill levels to translate the human form pose to page. The works in this exhibit range from quick gesture drawings to more detailed renderings that capture the likeness or movement of the subject in longer poses.
These sessions would not be possible without the talented and dedicated life models who have posed for countless hours; their professionalism and commitment to this program is outstanding. TAP is also grateful to the costume designers who create and produce the attire for our clothed model sessions. To highlight their work, the exhibit features a number of these unique handmade designs.
Exhibiting Artists
Bill Nediger
Blythe George
Cheryl Radford
Constanza Gardeazabal
Dennis Burian
Don Muller
Evi Imperio
Ewan MacKintosh
Geordie Shepherd
Glenn Wyse II
Ian R
Jacqueline Chen
Katrina Crone
Krystal O'Brien
Laura Lima Nishida
Lisa Clark
Lyle Haves
Mackenzie Bishop
Marisa Lavazzi
May Ly
Nora Kozak
Peter Karas
Paul Abeleira
Rita Rumbold
Sarah Ly
Sharon Rogers
Shenella George
Susan Schulthies
Susan Perry
Suzanne Frank
Ta Gao
Valda Glenni
Exhibiting Designers
Chloe Nguyen
Erica Batten
Jacqueline Bradica
in the Main Gallery
Opening Reception on April 18, 2026
About the Exhibition
Life Study: from pose to page exhibits selected works from the many talented artists who take part in TAP's figure study sessions. These sessions are offered every Monday night and Tuesday afternoon all year long, in addition to monthly costumed figure study, and welcome participants at all skill levels to translate the human form pose to page. The works in this exhibit range from quick gesture drawings to more detailed renderings that capture the likeness or movement of the subject in longer poses.
These sessions would not be possible without the talented and dedicated life models who have posed for countless hours; their professionalism and commitment to this program is outstanding. TAP is also grateful to the costume designers who create and produce the attire for our clothed model sessions. To highlight their work, the exhibit features a number of these unique handmade designs.
Exhibiting Artists
Bill Nediger
Blythe George
Cheryl Radford
Constanza Gardeazabal
Dennis Burian
Don Muller
Evi Imperio
Ewan MacKintosh
Geordie Shepherd
Glenn Wyse II
Ian R
Jacqueline Chen
Katrina Crone
Krystal O'Brien
Laura Lima Nishida
Lisa Clark
Lyle Haves
Mackenzie Bishop
Marisa Lavazzi
May Ly
Nora Kozak
Peter Karas
Paul Abeleira
Rita Rumbold
Sarah Ly
Sharon Rogers
Shenella George
Susan Schulthies
Susan Perry
Suzanne Frank
Ta Gao
Valda Glenni
Exhibiting Designers
Chloe Nguyen
Erica Batten
Jacqueline Bradica
REFLEX: A Student Photography Exhibition
Fanshawe Photography
April 7 - April 11, 2026
in the Main Gallery
Opening Reception on April 7, 2026
About the Exhibition
EFLEX showcases the creative achievements of students in the Fanshawe Photography Program. This annual exhibit represents the culmination of three years of learning and artistic development. Featured work includes images by Advanced Photography students completing their third year, second-year students finishing the two-year diploma program, and first-year students as they continue to build their foundational skills.
A curated selection of photographs from all categories of the annual Student Image Competition will be on display. Winners who will be recognized as “Best in Category” will be announced during the opening reception. Awards will also be presented for the highest-scoring images captured with Canon, Nikon, and Sony cameras, along with a special honour for the top-scoring black-and-white image, sponsored by Amplis Foto.
In addition to competition work, second-year students will present a series of six portfolio images developed through their specialization course, offering visitors a deeper look at their personal artistic direction.
Feature Image:
Daniel Platt, A Pause in the Crowd, Digital Photography, 2026
in the Main Gallery
Opening Reception on April 7, 2026
About the Exhibition
EFLEX showcases the creative achievements of students in the Fanshawe Photography Program. This annual exhibit represents the culmination of three years of learning and artistic development. Featured work includes images by Advanced Photography students completing their third year, second-year students finishing the two-year diploma program, and first-year students as they continue to build their foundational skills.
A curated selection of photographs from all categories of the annual Student Image Competition will be on display. Winners who will be recognized as “Best in Category” will be announced during the opening reception. Awards will also be presented for the highest-scoring images captured with Canon, Nikon, and Sony cameras, along with a special honour for the top-scoring black-and-white image, sponsored by Amplis Foto.
In addition to competition work, second-year students will present a series of six portfolio images developed through their specialization course, offering visitors a deeper look at their personal artistic direction.
Feature Image:
Daniel Platt, A Pause in the Crowd, Digital Photography, 2026
Peter Tatham - A Life in Landscape
April 7 - April 11, 2026
in LAB 203
Closing Reception on April 11, 2026
About the Exhibition
A Life in Landscape, is an exhibition of work by painter Peter Tatham. These watercolour and oil landscapes are depictions of natural spaces that Peter found beauty in and captured with his camera during travel. Many of his works were brought to life in his studio at home inspired by trips to the east coast, Italy, Wales and Germany, but his favourite place for inspiration was at home in Southern Ontario.
About the Artist:
Peter Tatham found a love for art at a very early age when his neighbours, students at the Ontario Art College, encouraged him to explore his creativity. He later attended Beal Tech High School in London, and then went on to work in the Communications Department at London Life.
In the 1970s, Tatham’s early work focused on the use of watercolours and he exhibited these early landscapes for the first time at the Glen Gallery in London. In the 1980s he started working with oils and palette knives, exploring his delicate view of the world in a new way. Throughout his career, Tatham’s work was exhibited across southwestern Ontario and he was proud of his ongoing involvement with the Lambeth Art Association. Tatham continued painting into his 87th year.
Feature Artwork: March, oil on canvas, 24" x 24"
in LAB 203
Closing Reception on April 11, 2026
About the Exhibition
A Life in Landscape, is an exhibition of work by painter Peter Tatham. These watercolour and oil landscapes are depictions of natural spaces that Peter found beauty in and captured with his camera during travel. Many of his works were brought to life in his studio at home inspired by trips to the east coast, Italy, Wales and Germany, but his favourite place for inspiration was at home in Southern Ontario.
About the Artist:
Peter Tatham found a love for art at a very early age when his neighbours, students at the Ontario Art College, encouraged him to explore his creativity. He later attended Beal Tech High School in London, and then went on to work in the Communications Department at London Life.
In the 1970s, Tatham’s early work focused on the use of watercolours and he exhibited these early landscapes for the first time at the Glen Gallery in London. In the 1980s he started working with oils and palette knives, exploring his delicate view of the world in a new way. Throughout his career, Tatham’s work was exhibited across southwestern Ontario and he was proud of his ongoing involvement with the Lambeth Art Association. Tatham continued painting into his 87th year.
Feature Artwork: March, oil on canvas, 24" x 24"
Kaleidoscope - Fanshawe Fine Art Graduation Exhibition
Mar 25 - April 4, 2026
in the Main Gallery
Opening Reception on March 28, 2026
Meet the Artists Event on April 2, 2026
About the Exhibition
Kaleidoscope marks the 54th annual graduation exhibition of the Fanshawe Fine Art Advanced Diploma program. As the culmination of three years of study, the final year challenges students to develop a studio practice that meaningfully unites materials, processes, and concepts.
The fifteen students in their graduating term have each discovered their own shifting and unique lenses. Together, they present an exhibition that shares their personal kaleidoscopes—their interpretations of the world they inhabit and their experiences navigating through it. With attentive hands and eyes, they explore their surroundings and translate those insights into a wide range of materials, including painting, drawing, collage, sculpture, fibre arts, and printmaking.
Turn through works that are playful, mysterious, beguiling, transformative, healing, expressive, questioning, and curious. We invite you to witness this moment of convergence and make connections to your own lived experiences within our continually shifting context.
in the Main Gallery
Opening Reception on March 28, 2026
Meet the Artists Event on April 2, 2026
About the Exhibition
Kaleidoscope marks the 54th annual graduation exhibition of the Fanshawe Fine Art Advanced Diploma program. As the culmination of three years of study, the final year challenges students to develop a studio practice that meaningfully unites materials, processes, and concepts.
The fifteen students in their graduating term have each discovered their own shifting and unique lenses. Together, they present an exhibition that shares their personal kaleidoscopes—their interpretations of the world they inhabit and their experiences navigating through it. With attentive hands and eyes, they explore their surroundings and translate those insights into a wide range of materials, including painting, drawing, collage, sculpture, fibre arts, and printmaking.
Turn through works that are playful, mysterious, beguiling, transformative, healing, expressive, questioning, and curious. We invite you to witness this moment of convergence and make connections to your own lived experiences within our continually shifting context.
Off The Page Photo Exhibition - Western Photography Club
Mar 24 - Mar 28, 2026
in LAB 203
Opening Reception on March 26, 2026
About the Exhibition
The Western Photography Club presents an exploration into the lives of university students as they navigate the world beyond the lecture hall. When they're not studying for an exam or perfecting their next big presentation, these future leaders in arts, business, STEM and more celebrate their passions. From travel adventures to concerts, students from all walks of life have immortalized the way they spend their time, captured on diverse media that showcase the depth of photography. DSLR, mirrorless, film, point-and-shoot, smartphone: every image was captured in its own unique way, representing a moment in each student's busy life.
Off The Page Photo Exhibition sponsored by Henry's London
Feature Image:
Sam Simner, "Rest", photography, 2024
in LAB 203
Opening Reception on March 26, 2026
About the Exhibition
The Western Photography Club presents an exploration into the lives of university students as they navigate the world beyond the lecture hall. When they're not studying for an exam or perfecting their next big presentation, these future leaders in arts, business, STEM and more celebrate their passions. From travel adventures to concerts, students from all walks of life have immortalized the way they spend their time, captured on diverse media that showcase the depth of photography. DSLR, mirrorless, film, point-and-shoot, smartphone: every image was captured in its own unique way, representing a moment in each student's busy life.
Off The Page Photo Exhibition sponsored by Henry's London
Feature Image:
Sam Simner, "Rest", photography, 2024
PHOBIA : FANSHAWE FINE ART STUDIO 4
Mar 10 - Mar 21, 2026
in the Main Gallery
Opening Reception on March 10, 2026
About the Exhibition
Close to heART, PHOBIA, as subject for paintings has been delegated by these students. Painting PHOBIA takes into consideration the skills, application, tools, manner of paints, while simultaneously forming an image: Imagined? Experienced? Feared? Together, self-reportage and/or ideas, materials and/or mirrors, accumulate and/or erase, process and/or time, becomes their silent forms within the making of a painting that generates what is felt into what is seen.
DSM-5 (Diagnostic and Statistical Manual of Mental Disorders) defines phobia “as a marked, persistent fear of a specific object or situation that is irrational, causes significant impairment in daily functioning, and triggers immediate anxiety, leading to active avoidance.” On his 1974 music album, Fear, John Cale sings|screams, “Fear is a Man’s Best Friend”.
To become a creative apparatus to making a painting about the subject of a personal phobia, these two seemingly opposing quotes draw attention to the intensity of the endeavour proposed. How do you mine a phobia as young art students developing their first exhibition? Balance internal terror and the love of making? Triggering emergency avoidance, all parts of their painting process, painting image, can be seen as a personal, almost heroic, positive gesture.
The realis index reels from real to reel to bear witness, caught in the headlights, a spider’s web, above the mould, at dawn’s daylight. Deep are the dark waters on thin ice. Spherical fires burn paranoid holes with giants, clowns abound. Flying high ceiling of the sky falling down. Possessed with skeletons with organs with bodies with family-blood-birth-death with disconnect insanity dreams. Paint out, throw out, individual, cultural, timed-out female images. Dog|god growled ...got a perspective now? Images are not for everyone; an image of the unseen, perhaps even more.
This painting exhibition, a pictorial PHOBIA index, may or may not activate or expose undesirable feelings to/in an empathetic viewer. It may or may not, either, cure the artist of their PHOBIA. It seems a context of self that holds the PHOBIA, the fear, is far from the triggering object or situation.
The psychology of the person is where the phobia resides – somewhere between the perception and signifier; a zone of unseen. A place to hide? A place to open? A place to mobilize spirits? A place where artists reside?
in the Main Gallery
Opening Reception on March 10, 2026
About the Exhibition
Close to heART, PHOBIA, as subject for paintings has been delegated by these students. Painting PHOBIA takes into consideration the skills, application, tools, manner of paints, while simultaneously forming an image: Imagined? Experienced? Feared? Together, self-reportage and/or ideas, materials and/or mirrors, accumulate and/or erase, process and/or time, becomes their silent forms within the making of a painting that generates what is felt into what is seen.
DSM-5 (Diagnostic and Statistical Manual of Mental Disorders) defines phobia “as a marked, persistent fear of a specific object or situation that is irrational, causes significant impairment in daily functioning, and triggers immediate anxiety, leading to active avoidance.” On his 1974 music album, Fear, John Cale sings|screams, “Fear is a Man’s Best Friend”.
To become a creative apparatus to making a painting about the subject of a personal phobia, these two seemingly opposing quotes draw attention to the intensity of the endeavour proposed. How do you mine a phobia as young art students developing their first exhibition? Balance internal terror and the love of making? Triggering emergency avoidance, all parts of their painting process, painting image, can be seen as a personal, almost heroic, positive gesture.
The realis index reels from real to reel to bear witness, caught in the headlights, a spider’s web, above the mould, at dawn’s daylight. Deep are the dark waters on thin ice. Spherical fires burn paranoid holes with giants, clowns abound. Flying high ceiling of the sky falling down. Possessed with skeletons with organs with bodies with family-blood-birth-death with disconnect insanity dreams. Paint out, throw out, individual, cultural, timed-out female images. Dog|god growled ...got a perspective now? Images are not for everyone; an image of the unseen, perhaps even more.
This painting exhibition, a pictorial PHOBIA index, may or may not activate or expose undesirable feelings to/in an empathetic viewer. It may or may not, either, cure the artist of their PHOBIA. It seems a context of self that holds the PHOBIA, the fear, is far from the triggering object or situation.
The psychology of the person is where the phobia resides – somewhere between the perception and signifier; a zone of unseen. A place to hide? A place to open? A place to mobilize spirits? A place where artists reside?
Liliana Gomez : A Breath of Life
Feb 24 - Mar 21, 2026
in LAB 203
Opening Reception on February 28, 2026
Meet the Artist Event on March 21, 2026
About the Exhibition
Liliana Gomez is a multidisciplinary visual artist whose work explores harmony, balance, color, and perspective. Moving fluidly between figuration and abstraction, she blends classical foundations with experimental techniques, incorporating collage and mixed media to create richly textured surfaces.
Her compositions reveal a dialogue between structure and spontaneity. Whether portraying the human form, equine subjects, or abstract themes, Gomez builds layered works marked by expressive gesture and dynamic color relationships that invite contemplation.
Exhibited across Canada, the United States, and Colombia, her work reflects a broad cultural experience while maintaining a distinctive and personal artistic voice. This exhibition presents a selection of works that highlight her ongoing exploration of material, movement, and visual storytelling.
in LAB 203
Opening Reception on February 28, 2026
Meet the Artist Event on March 21, 2026
About the Exhibition
Liliana Gomez is a multidisciplinary visual artist whose work explores harmony, balance, color, and perspective. Moving fluidly between figuration and abstraction, she blends classical foundations with experimental techniques, incorporating collage and mixed media to create richly textured surfaces.
Her compositions reveal a dialogue between structure and spontaneity. Whether portraying the human form, equine subjects, or abstract themes, Gomez builds layered works marked by expressive gesture and dynamic color relationships that invite contemplation.
Exhibited across Canada, the United States, and Colombia, her work reflects a broad cultural experience while maintaining a distinctive and personal artistic voice. This exhibition presents a selection of works that highlight her ongoing exploration of material, movement, and visual storytelling.
Visitation: Jeff Willmore
Feb 24 - Mar 7, 2026
in the Main Gallery
Opening Reception on February 28, 2026
About the Exhibition
This work is the second of three series containing imagery and applications that transit between painting as fine art and the publishing tool of illustration. I Have always been fascinated with the way commercial interests and reproduction processes curate and represent visuals, contrasted by the hand crafted and singular vision found in painting.
This work is the product of a trip to China in the spring of 2019.
It is almost impossible to ignore the influence of exotic experiences when traveling. I try to channel the effect the place has on me while documenting as much as I can through photography, minimizing, but not dismissing the aspect of the holiday snapshot.
Being exposed to population densities I had never before witnessed proved to be the pivotal experience of the trip. To move through a site like the Forbidden City on a hot afternoon in the company of 70,000 other individuals proved to be an overwhelming and inspiring experience.
The imagery in these paintings takes that vast human element and deposits it into invented open landscape scenarios. These landscape backdrops serve as stages for the figurative pageant to play out on and create five individual narratives.
Featured Image:
Impact, 2020, 36x120 in. acrylic on mylar
in the Main Gallery
Opening Reception on February 28, 2026
About the Exhibition
This work is the second of three series containing imagery and applications that transit between painting as fine art and the publishing tool of illustration. I Have always been fascinated with the way commercial interests and reproduction processes curate and represent visuals, contrasted by the hand crafted and singular vision found in painting.
This work is the product of a trip to China in the spring of 2019.
It is almost impossible to ignore the influence of exotic experiences when traveling. I try to channel the effect the place has on me while documenting as much as I can through photography, minimizing, but not dismissing the aspect of the holiday snapshot.
Being exposed to population densities I had never before witnessed proved to be the pivotal experience of the trip. To move through a site like the Forbidden City on a hot afternoon in the company of 70,000 other individuals proved to be an overwhelming and inspiring experience.
The imagery in these paintings takes that vast human element and deposits it into invented open landscape scenarios. These landscape backdrops serve as stages for the figurative pageant to play out on and create five individual narratives.
Featured Image:
Impact, 2020, 36x120 in. acrylic on mylar
Ommatidia: Fanshawe Advanced Photo Student Showcase
Feb 6 - Feb 21, 2026
in the Main Gallery
Opening Reception on February 6, 2026
About the Exhibition
Ommatidia invites you to consider the concept of “ommatidia” in an artistic way. The exhibition showcases a diverse selection of photographic works produced by students from the Fanshawe Advanced Photo class. In biology, ommatidia are the tiny visual units that form the compound eyes of insects, enabling them to perceive the world through a wide and mosaic vision. Drawing on this idea, the exhibition highlights students’ experimentation with photography to create multiple ways of seeing. Through a wide range of subjects, colours, and techniques, each work functions as an individual visual unit. Though different from one another, each contributes to a collective vision that reflects the diversity of students’ creativity.
A mobile project of SATELLiTE Project Space, featuring Fanshawe College Advanced Photo students in curatorial collaboration with students from Western University's Faculty of Arts and Humanities.
Featured Image: Brett Kuzyk, "Green Bottle Fly," composite photograph.
in the Main Gallery
Opening Reception on February 6, 2026
About the Exhibition
Ommatidia invites you to consider the concept of “ommatidia” in an artistic way. The exhibition showcases a diverse selection of photographic works produced by students from the Fanshawe Advanced Photo class. In biology, ommatidia are the tiny visual units that form the compound eyes of insects, enabling them to perceive the world through a wide and mosaic vision. Drawing on this idea, the exhibition highlights students’ experimentation with photography to create multiple ways of seeing. Through a wide range of subjects, colours, and techniques, each work functions as an individual visual unit. Though different from one another, each contributes to a collective vision that reflects the diversity of students’ creativity.
A mobile project of SATELLiTE Project Space, featuring Fanshawe College Advanced Photo students in curatorial collaboration with students from Western University's Faculty of Arts and Humanities.
Featured Image: Brett Kuzyk, "Green Bottle Fly," composite photograph.
Nexus
Jan 14 – Jan 31, 2026
in the Main Gallery & Lab 203
Opening reception on January 16, 2026
About the Exhibition
Bealart has been a thriving arts community for over 100 years, offering eight specialized studios: ceramics, drawing, digital & interactive art, painting, printmaking, moving image, sculpture, and textiles. Each studio is equipped with post-secondary level tools and resources for hands-on, studio-based learning.
Grades 9 and 10 Enriched students engage in problem-based learning, exploring diverse media, artistic fundamentals, and stylistic approaches. In Grades 11 and 12, as well as the after-grad Foundations program, students experience intensive study across all media, emphasizing conceptual development and the integration of technical skills with design thinking. For those seeking specialization, the Bealart Specialist program offers eight credits, allowing students to focus on two studios of their choice.
Nexus emphasizes the connection between multiple things. To the Bealart Specialist, Nexus is a connection between the students at H.B Beal and people in general. Despite not knowing each member of the program, the Bealart students feel a collective belonging. The exhibition is a visual exploration of our vibrant community of artists.
Featured image: Abigale Evetts, Less is more, 2025, acrylic on wood, 5.75x5.75 inches
in the Main Gallery & Lab 203
Opening reception on January 16, 2026
About the Exhibition
Bealart has been a thriving arts community for over 100 years, offering eight specialized studios: ceramics, drawing, digital & interactive art, painting, printmaking, moving image, sculpture, and textiles. Each studio is equipped with post-secondary level tools and resources for hands-on, studio-based learning.
Grades 9 and 10 Enriched students engage in problem-based learning, exploring diverse media, artistic fundamentals, and stylistic approaches. In Grades 11 and 12, as well as the after-grad Foundations program, students experience intensive study across all media, emphasizing conceptual development and the integration of technical skills with design thinking. For those seeking specialization, the Bealart Specialist program offers eight credits, allowing students to focus on two studios of their choice.
Nexus emphasizes the connection between multiple things. To the Bealart Specialist, Nexus is a connection between the students at H.B Beal and people in general. Despite not knowing each member of the program, the Bealart students feel a collective belonging. The exhibition is a visual exploration of our vibrant community of artists.
Featured image: Abigale Evetts, Less is more, 2025, acrylic on wood, 5.75x5.75 inches
Smashing Fashion! The 60’s Illustration of Bonnie Parkinson
Dec 23, 2025 – Jan 10, 2026
in Lab 203
Opening reception Saturday, January 3, 2026
Opening reception Saturday, January 3,2026
About the Exhibition
Smashing Fashion!
The 60’s Illustrationof Bonnie Parkinson
Bonnie Parkinson burst onto the advertising scene in her early twenties during the height of the 60’s cultural revolution—the era when fashions rocked the world and creativity knew no bounds. As one of the few women navigating Canada’s male-driven world of fashion illustration, she captured this spirit through her work with Eaton’s, Simpson’s, and “Mad Men” ad agencies. Her drawings reflected the rhythm of the times—dreamin’, and hanging with the cool crowd while Carnaby Street set the trends. Now, sixty years later, Bonnie has picked up her pen once again. With a fresh spark she’s creating new illustrations that echo her early days yet speak to today—a vibrant bookend to a life steeped in style, imagination, and when Fashion was Art. Curated by Andrew Lewis.
in Lab 203
Opening reception Saturday, January 3, 2026
Opening reception Saturday, January 3,2026
About the Exhibition
Smashing Fashion!
The 60’s Illustrationof Bonnie Parkinson
Bonnie Parkinson burst onto the advertising scene in her early twenties during the height of the 60’s cultural revolution—the era when fashions rocked the world and creativity knew no bounds. As one of the few women navigating Canada’s male-driven world of fashion illustration, she captured this spirit through her work with Eaton’s, Simpson’s, and “Mad Men” ad agencies. Her drawings reflected the rhythm of the times—dreamin’, and hanging with the cool crowd while Carnaby Street set the trends. Now, sixty years later, Bonnie has picked up her pen once again. With a fresh spark she’s creating new illustrations that echo her early days yet speak to today—a vibrant bookend to a life steeped in style, imagination, and when Fashion was Art. Curated by Andrew Lewis.
Notes From The Mindfield: Andrew Lewis
Dec 04, 2025 – Jan 10, 2026
in the Main Gallery
Saturday Dec.6 : Artist Talk
Sunday Dec.14 : Live DJ (Apaull) + Live Painting
Thursday Jan.8 : Exhibit Tour + Art Crawl
About the Exhibition
Notes From The Mindfield presents a new series of paintings by Andrew Lewis that explores the psychological and social effects on our current era—an era that is simultaneously affected by the wake of the pandemic and the rise of artificial intelligence. The series reflects the artist's unfolding observations and evolving ideas around the complexity of today's shifting mental and societal landscape.
In this new series, Lewis favours a more spontaneous and intuitive approach to his artistic process which has resulted in work featuring abstract and biomorphic forms—a new direction in his practice. Drawing from a mix of historical and cultural influences, the work reflects a fragmented world where technology, memory, and human experience are deeply intertwined. The organic shapes in the pieces hint at both natural life and digital systems, showing how the boundaries between the two continue to blur.
About the Artist
Andrew Lewis is an internationally recognized Canadian artist and designer. His work is included in numerous international collections, including the Museum of Modern Art in New York City, the French National Library, the Permanent Collection of the Library of Congress in Washington D.C., the International Poster Biennial in Mexico City, and the Design Museum in London, England.
Follow Andrew on Instagram: @andrewlewisart
Featured Image: Andrew Lewis, detail of The Three Furies, 2025, acrylic on Canvas, 37" x 49"
in the Main Gallery
Saturday Dec.6 : Artist Talk
Sunday Dec.14 : Live DJ (Apaull) + Live Painting
Thursday Jan.8 : Exhibit Tour + Art Crawl
About the Exhibition
Notes From The Mindfield presents a new series of paintings by Andrew Lewis that explores the psychological and social effects on our current era—an era that is simultaneously affected by the wake of the pandemic and the rise of artificial intelligence. The series reflects the artist's unfolding observations and evolving ideas around the complexity of today's shifting mental and societal landscape.
In this new series, Lewis favours a more spontaneous and intuitive approach to his artistic process which has resulted in work featuring abstract and biomorphic forms—a new direction in his practice. Drawing from a mix of historical and cultural influences, the work reflects a fragmented world where technology, memory, and human experience are deeply intertwined. The organic shapes in the pieces hint at both natural life and digital systems, showing how the boundaries between the two continue to blur.
About the Artist
Andrew Lewis is an internationally recognized Canadian artist and designer. His work is included in numerous international collections, including the Museum of Modern Art in New York City, the French National Library, the Permanent Collection of the Library of Congress in Washington D.C., the International Poster Biennial in Mexico City, and the Design Museum in London, England.
Follow Andrew on Instagram: @andrewlewisart
Featured Image: Andrew Lewis, detail of The Three Furies, 2025, acrylic on Canvas, 37" x 49"
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